MUSEUM

Standards

A museum’s credibility rests less on what it exhibits than on what it declines to exhibit.

Neutral · verifiable · non-commercialFour module thresholdsTwo tests · fewer, better
Remit

BTC.com is a neutral, non-commercial online museum of Bitcoin and the blockchain: not a media outlet, not a price site, but a public archive of Bitcoin knowledge, serving researchers, media, policymakers and the public worldwide. The collection displays only verifiable facts and primary documents. Where a question has multiple positions, we set out each side’s arguments at equal standing, and the museum does not adjudicate.

Three principles

① We aim to trace every fact on display to a public, verifiable source.
② On contested questions we present each side at equal standing; the museum does not rule.
③ Facts in the collection and signed opinion are shown separately.

Policy I

Content Modules & Acquisition Thresholds

highest bar to lowest

The Four Modules

The site’s content divides into four modules, from the highest acquisition bar to the lowest: permanent halls > special exhibitions > Library > blog.

Highest bar

Permanent Halls (five acts)

The most selective narrative and interactive experience; only the most representative originals, images and interactive exhibits.

Curatorial standard

Special Exhibitions

Temporary shows mounted for particular occasions; when one closes, the best material is selected into the permanent halls or the Library. This module opens as curatorial occasion arises, and is not open at present.

Archive layer

The Library

A researcher’s catalog of primary documents; admits work with a degree of citation, scholarly value and recognized standing in the field.

Lowest bar

Blog

Author submissions published after editorial review, on a journal-like basis; neutrality and traceable sourcing suffice.

The promotion path · how content moves

The four modules are linked by one path: author submissions are published on the blog after editorial review; blog pieces that are widely cited or recognized may be added to the Library; the most foundational originals in the Library may become headline exhibits in the halls; and when a special exhibition closes, selected material moves into the permanent halls or the Library.

The same item can appear in several places, presented differently in each: the whitepaper is a catalog entry in the Library and a passage-by-passage interactive exhibit in the halls.

Policy II

Acquisition Standards for Hall Exhibits

two tests for third-party material

Two Categories, Two Standards

The halls carry the highest bar of the four modules. Exhibits fall into two categories, judged differently.

◆

Original exhibits

Overview animations, the journey of a transaction, the AMM and gas interactives, data visualizations: interactive experiences produced in-house and unique to the halls. Original exhibits go live only when complete and usable; where live data is involved, the data source and timestamp are stated.

◇

Third-party exhibits

Artwork, historical imagery and photo collections of facilities. Before going live, these should in principle pass both tests below.

Test one

Traceable provenance

We aim to establish provenance — original source link, author and first place of publication.

Test two

Curatorial standard met

Each item should be representative and, where possible, come with curatorial notes — about the maker, its provenance and its meaning — rather than images shown in bulk.

Downgrade rule

Bulk, collection-grade material (large runs of hardware models, art compilations, generic illustration) is not shown as a main exhibit in the halls — it is cataloged in the Library, or used only as supporting illustration. The halls stay small and selective.

Policy III

Contributors & Governance

attribution, accountability, corrections

The Contributors We Are Inviting

We are inviting scholars and senior researchers worldwide who study the ideas, economics, technology and history of Bitcoin and blockchain to become the museum’s first signed contributors and to help draft its governance principles. Crypto-industry and financial media with a sustained record of neutral, professional work are also being invited.

Signed contributors

Scholars and senior researchers

Writing guest original essays and taking part in establishing and revising the governance principles. Bylines and institutional affiliations are disclosed.

Oral-history invitations

Document authors

We hope to invite the authors of documents in our collection to take part in oral-history interviews and special exhibitions; progress will be announced once confirmed.

Media partners

Neutral, professional media

Crypto-industry and financial media with a sustained record of neutrality and professional standards, participating in content development and fact-checking.

Open submissions

Guest authors

Anyone may submit to the blog. Pieces are published after editorial review for neutrality and traceable sourcing; those that gain recognition may be promoted to the Library.

Errata & Feedback

We put the possibility of error in plain sight: an institution that displays only verifiable facts must make the route to correcting them equally public.

Corrections policyOn receiving feedback we verify the source. Where an error is confirmed, we correct it. Significant corrections are announced publicly, and we thank those who supply key fixes.
Up nextFAQ
Museum GuideBTC.com Museum
What would you like to know about Bitcoin?
Answers draw on the museum’s exhibits and public sources